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在「視藝」和「舞蹈」之間,需要甚麼連接詞?
​What is the ‘x’ When We Talk about ‘Visual Arts x Dance’?

​https://en.danceresearch.com.hk/visualartsxdance
visual_arts_dance_eng.pdf
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表演藝術走向國際之為「好」
​Performing Arts: The ‘Good’ of Going International

​https://www.danceresearch.com.hk/thegoodofgoinginternational
essay_final_chi.pdf
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essay_final_eng.pdf
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「(彷彿)與我無關— 關於檔案的當代化」 對談紀錄
​Transcript of “(As) If It Matters — On Contemporization of Archive Materials”

​http://hkvisualartsyearbook.org/details/AmWOykacYL4JdgH_k-PLKr50N2VLrETd
as_if_chi_final.pdf
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as_if_eng_final.pdf
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站在分水嶺上回頭看 --
梳理香港前專業化舞蹈的特色及價值
On the Watershed, Looking Back—The Combing of the Characteristics and Achievement of Hong Kong Dance Prior to Its Professionalisation

​https://www.dancehistory.hk/pdf_joanna_lee/?lang=en
watreshed_chi_final.pdf
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watreshed_eng_final.pdf
File Size: 95 kb
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試論以紀念碑性建構集體身份及其對文化政策的意義

李海燕、楊天帥合著
《方圓》第八期「重置」(2021年7月)
Picture

Hong Kong “Lennon Wall”:
Collective Identity Construction through Monumentality 
and its Implication to Cultural Policy

Co-authored by Lee Hoi-yin Joanna and Yeung Tin-shui
Paper presentation at ICCPR 2020 ​https://www.gakkai.ne.jp/ICCPR2020/

https://paratext.hk/?p=3790

要是閱讀是救贖——讀格拉斯《狗年月》​SAMPLEX微批文學媒體計劃

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  • About
  • Art and cultural critique
  • Research ProjectS
  • JOURNAL ARTICLES
  • Performing Arts
  • Made with a brush
  • Contact