在「視藝」和「舞蹈」之間，需要甚麼連接詞？
What is the ‘x’ When We Talk about ‘Visual Arts x Dance’?
https://en.danceresearch.com.hk/visualartsxdance
| visual_arts_dance_eng.pdf |
表演藝術走向國際之為「好」
Performing Arts: The ‘Good’ of Going International
https://www.danceresearch.com.hk/thegoodofgoinginternational
| essay_final_chi.pdf |
| essay_final_eng.pdf |
「（彷彿）與我無關— 關於檔案的當代化」 對談紀錄
Transcript of “(As) If It Matters — On Contemporization of Archive Materials”
http://hkvisualartsyearbook.org/details/AmWOykacYL4JdgH_k-PLKr50N2VLrETd
| as_if_chi_final.pdf |
| as_if_eng_final.pdf |
站在分水嶺上回頭看 --
梳理香港前專業化舞蹈的特色及價值
On the Watershed, Looking Back—The Combing of the Characteristics and Achievement of Hong Kong Dance Prior to Its Professionalisation
https://www.dancehistory.hk/pdf_joanna_lee/?lang=en
| watreshed_chi_final.pdf |
| watreshed_eng_final.pdf |
試論以紀念碑性建構集體身份及其對文化政策的意義
李海燕、楊天帥合著
《方圓》第八期「重置」(2021年7月)
《方圓》第八期「重置」(2021年7月)
Hong Kong “Lennon Wall”:
Collective Identity Construction through Monumentality
and its Implication to Cultural Policy
Co-authored by Lee Hoi-yin Joanna and Yeung Tin-shui
Paper presentation at ICCPR 2020 https://www.gakkai.ne.jp/ICCPR2020/
Paper presentation at ICCPR 2020 https://www.gakkai.ne.jp/ICCPR2020/
